Lillian Schwartz Movies

Beginning with footage of sea birds in flight, the film image is then optically scanned and transformed by the computer. The geometric overlay on...

A swift moving assortment of moving images. Filmed from a color TV monitor that was computer controlled.

Escher-like images stepping through the frames to the music of a jazz group. Delightful–shows a depth in the imagery not accomplished by...

“Lines and rectangles are the geometric shapes basic to ENIGMA, a computer graphics film full of subliminal and persistent image effects. In a...

A playful concoction of computer produced images, a few hand-animated scenes and shots of lab equipment. Made largely from left-overs from scientific...

This tape combines live-images filmed in the Yucatan with output from the Paik video-synthesizer ribboned with computer-generated images.

This animation can be watched in 2D or using Chromadepth Glasses in 3D.

“Schwartz’ METAMORPHOSIS is a complex study of evolving lines, planes, and circles, all moving at different speeds, and resulting in...

Music “Canzoni per sonar a quattro” by Giovanni Gabrieli, performed by Elizabeth Cohen, Max Mathews, and Gerard Schwarz. Images generated...

This film is strongly rooted in its underlying mathematical structure which forms the basis for the images. The music by Jean Claude Risset is...

Abstract images of frame-by-frame animation with subtle growing effects of crystals are enhanced by polarized colors.

This animation can be watched in 2D or using Chromadepth Glasses in 3D.

Computer generated images used as counterpoint to music “Fantasia & In Nomine” by John Ward, performed by Elizabeth Cohen, Max...

A single bird in flight is transformed, enhanced and interpreted so as to present a unique visual experience. From its original inception in a 128...

An illusion of 3 dimensions is achieved by a blending of mathematics and physics to carry the spectator through a new range of audio and visual...

Over two hours of rare performances, interviews, animations, and experimental video. Milton Babbit’s discussion of the difficulties of working...

Created in 1990 at AT&T's Bell Labs in a program called Sculpt, one of the very first real-time texture mapping programs.

This animation can be watched in 2D or using Chromadepth Glasses in 3D.

Digital Animation | 02"50

This animation can be watched in 2D or using Chromadepth Glasses in 3D.